INFORMATION
isea2022.
isea2022.isea-international.org/performance-tawa_live-sound-performance
Patricia Cadavid is an immigrant, artist, and researcher born in Colombia. Her work looks at the relationships and effects of coloniality in new media from the migratory experience and decolonial & anti-colonial thinking.She works on the vindication of the memory contained in the ancestral interfaces of the Andes taken away by colonization and their connections with art, science, and technology, reusing them in new artistic processes related to sound, NIMEs, tangible live coding, and multimedia performance.Student at the Interface Culture Lab (Kunstuniversität Linz), she received her BFA from the Universidad de Castilla-La Mancha and her MA from the Universitat Politècnica de València, multimedia &Visual arts program. Her work has been exhibited in different festivals such as Ars Electronica (Austria), ADAF (Greece), the NIME and SEAMUS conferences, and several spaces in Chile, Mexico, Spain, Germany, and Colombia.
ISEA 2022 Symposium
13. Juni 2022, 19.30 Uhr Barcelona, Spanien
Patricia Cadavid Hinojosa, Masterstudierende bei Interface Cultures, nimmt mit einer Performance am internationalen Symposium of Electronic Arts in Barcelona teil. Patricia Cadavid Hinojosa, Master Candidate at Interface Cultures participates with a performance at the ISEA 2022 International Symposium of Electronic Arts in Barcelona:Performance / Tawa_(Live Sound Performance)
“walking toward the future always with the past ahead.”*** In the Andean cosmogony, “Tawa” (four in Quechua) symbolizes two opposite balances that complement each other and reach harmony. Dichotomy and contradiction, stillness, and chaos, that in the year that summed up four (2020) knotted acceptance among uncertainty. The Andean Khipu is an information processing […]isea2022.
isea2022.isea-international.org/performance-tawa_live-sound-performance
Patricia Cadavid is an immigrant, artist, and researcher born in Colombia. Her work looks at the relationships and effects of coloniality in new media from the migratory experience and decolonial & anti-colonial thinking.She works on the vindication of the memory contained in the ancestral interfaces of the Andes taken away by colonization and their connections with art, science, and technology, reusing them in new artistic processes related to sound, NIMEs, tangible live coding, and multimedia performance.Student at the Interface Culture Lab (Kunstuniversität Linz), she received her BFA from the Universidad de Castilla-La Mancha and her MA from the Universitat Politècnica de València, multimedia &Visual arts program. Her work has been exhibited in different festivals such as Ars Electronica (Austria), ADAF (Greece), the NIME and SEAMUS conferences, and several spaces in Chile, Mexico, Spain, Germany, and Colombia.
