Ars Electronica Center, Ars-Electronica-Straße 1, 4040 Linz
TIME OUT .11 präsentiert junge Medienkunst aus Linz
TIME OUT geht in die elfte Runde! Studierende der Studienrichtung „Zeitbasierte und Interaktive Medienkunst“ an der Kunstuniversität Linz zeigen wieder ausgewählte Arbeiten im Ars Electronica Center. Ars Electronica und die Studienrichtung „Zeitbasierte und Interaktive Medienkunst“ an der Kunstuniversität Linz arbeiten seit vielen Jahren eng zusammen. Im Rahmen der Ausstellungsreihe TIME OUT stellt das Ars Electronica Center den jungen Medienkünstler*innen Ausstellungsraum für ihre Arbeiten zur Verfügung. Ob Film, Ton, Performances, Programmierung oder Interfacetechnologie, die Studienrichtung „Zeitbasierte und Interaktive Medienkunst“ lässt ihren Studierenden viel Freiraum, sich kreativ auszudrücken. So abwechslungsreich wie das Studium selbst, sind auch die daraus entstehenden Arbeiten – eine Auswahl von neun Arbeiten wird ab 14. Juni 2022 im Ars Electronica Center präsentiert. Zur Eröffnung werden ergänzend zwei Performances im Deep Space 8K gezeigt:Noise Rhythm Language, Ania Böhaker, Carlotta Borcherding, Franziska Hufnagel, Verena Steininger, Emilia Vogt, Friederike Weber, Chiara Wernbacher
VRA_peek, Daniel Haas
Overlooked Paintings VR, Deepa Antony (Foyer)
ausgestellte Arbeiten:
STRANGE_FACES / Thomas Guggenberger (AT)STRANGE_FACES is an interactive mirror installation that follows the faces of its users, playing with their images and their perception.
In the eleventh edition of the TIME OUT exhibition series, students from the “Time-Based and Interactive Media Art” program at the Linz Art University will once again be showing selected works at the Ars Electronica Center.
Nach Dem Guten Suchen / Joachim Iseni (AT)
„Nach dem Guten Suchen“ is an interactive film, which is controlled with the eyes. On a screen you see various short videos with everyday sequences of actions, which run in a continuous loop and do not change without your own intervention. As soon as the user stops paying attention to the focused actions and actively searches for new details with his eyes, the content of the videos changes. In each of the approximately 150 video clips, there is a decisive frame at which the eye position is queried with an eye tracker and immediately afterwards, a new video is started with this information after the previous one has finished. The project is thus on the one hand an experimental film, but on the other hand also a game, with which in the best case one develops a certain positive awareness of one's own physical and mental control.
Grammophon – Unerhörtes – Zitate von 1924-2018 / Alice Hulan (AT), Holunder Heiß (AT)
The work Grammophon – Unerhörtes – Zitate von 1924-2018, literally revolves around anti-Semitism, racism and gender roles. By turning the crank, quotes from political parties of the 20’s and 30’s, as well as quotes from the ranks of current government parties, can be heard. As you listen, it becomes difficult to tell from which time each quote stems. In her research, Alice Hulan focused for the most part on dehumanizing statements that were and still are used as demagogic means to degrade and objectify people.
