FilmMaker Festival 2017
2. bis 10.12.2017 Mailand
Siegfried A. Fruhauf:The screen as a seismograph
Siegfried A. Fruhauf: lo schermo come sismografo
Werkschau von Siegfried A. Fruhauf
2.12.2017, 17.00 Uhr
Spazio Oberdan La Sortie (1998, 16 mm, Mono, 6')
Blow-up (2000, 35 mm, Mono, 1')
Wk=mMv2/2 (1997-2006, Quicktime Movie SD, Stereo, 4')
Palmes d'Or (2009, 35 mm, Dolby SR, 6')
Schwere Augen (2011, 35 mm, Dolby SR, 10')
Structural Filmwaste. Dissolution 1 (2003, Quicktime Movie HD, Stereo, 4')
STILL DISSOLUTION (2013, 2K DCP, Dolby Digital 5.1, 2')
Exterior Extended (2013, 2K DCP, Dolby Digital 5.1, 9')
Vintage Print (2015, 2K DCP, Dolby Digital 5.1, 13')
Structural Filmwaste. Dissolution 2 (2003, Quicktime Movie, Stereo, 4')
FUDDY DUDDY (2016, 2K DCP, Dolby Digital 5.1, 5')
von ihm kuratieres Screening mit Rainer Gamsjäger und Hannes Langeder
Carte blanche
3.12.2017, 16.45 Uhr
Spazio Oberdan Parallax di Inger Lise Hansen (2009, 35 mm, 5')
Hallowe'en di Kerstin Cmelka (2003, 16 mm, 3')
3/60 Bäume im Herbst di Kurt Kren (1960, 16 mm, 5')
Vindication di Oliver Lasch e Thomas Strobl (1991, 16 mm, 5')
Inside - The Colour Version di Dietmar Brehm (2017, DCP, 5')
zijkfijergijok, di reMI [Renate Oblak, Michael Pinter] (2003, BetaCamSP, 3 min)
zounk! di Billy Roisz (2012, Digital File, 6')
Intermezzo (Notes on Film 04) di Norbert Pfaffenbichler (2012, DigitalBetaCam, 2')
Cluster di Rainer Gamsjäger (2010, Digital File, 8')
Sugo di Hannes Langeder (1998, 35 mm, 3')
Happy-End di Peter Tscherkassky (1996, 35 mm, 11')
Twelve Tales Told di Johann Lurf (2014, 35 mm, 4')
Freude di Thomas Draschan (2009, 35 mm, 3')
